“If a memoir is to achieve literature, it has to have an organizing principle, it has to have an idea, it has to have something that will be of value to the disinterested reader,” she said. “And that doesn’t happen so often, because most people who are writing memoirs are not writers.” The books that these other people – celebrities, crime victims – create she calls “testament”, a genre she traces back to the second world war and credits with creating the appetite for memoir in America. But she’s very clear on the nature of the skill involved in elevating the book to literature: “The ability to turn yourself into a persona who is able to generate drama, narrative drive, conflict, all the things that are required, is very hard,” she told me. “And not too many people achieve it.”
Matthew Frye-Castillo 